Elaine Chiew

Insurance

 

You go diving with him in the Bahamas as a leap of faith, even though you’re not sure whether it’s a leap of faith in yourself or in him or in your togetherness. It’s new still in your relationship; you’d met him at a medical conference, out lounging on a cabana. He had drawn up close, in his tan linen jacket and sharply-creased blue trousers, and asked if he could buy you a drink. Not that you are looking for a relationship, or even a carefree fuck, because your mother is in her last stages of Alzheimers’ and it’s just you and her but between shuttling on the commuters’ train from her home of assisted living and your job in insurance sales, you’d begun to find chit-chat with strangers nauseating. But there was something about his blue eyes and shaggy hair that spelled an aura of wanting to please and you thought to yourself, oh why the hell not? Your mother would disapprove of his slight put-on dishevelment and crude jokes. When it’s just the two of you, he is altogether more serious, more real, more himself, but he truly comes alive when the audience is ten or more. Then he would sing Nessun Dorma in a faux baritone (which your mother would find kitschy or attempt a ballerina stunt and split his pants). But your mother will never meet him, or if she does, she will never remember.

So you think of him as insurance. A kind of biological safety net, safe enough to risk an underwater world where you go diving with him. You are such a terrible swimmer that once you’d sunk to the bottom of a kid’s pool at the swimming club and thought you were drowning and surfaced and screamed for help and when people rushed over and someone finally pulled you out, you claimed a leg cramp because you were so embarrassed.

Down now in these murky watery depths, you panic and start hyperventilating. Water rushes into your mask. Your heart drops to a new plumbing depth. Someone grabs your shoulder and then holds your hand and guides you with finger gestures on how to empty your mask of water. You suck in lungful after lungful of oxygen and begin to feel giddy. All you can see behind his mask are his eyes, but not the expression in them because there is a film of moisture over everything. A school of fish swims past and you think you’ve never seen anything more beautiful in your life. You think the man holding your hand is a godsend, and you wonder if he isn’t the diving instructor, with his rapid gesturing and purposeful movements. There, before you, are schools of marine bioluminescence. Florets of musky coral. Plumes of purple anemones. Membraned jellyfish, lit from within, rising as clouded fumes. Seawhip. Polyps like thousands of eyes. They sense your dark presence. An entire school of fish changes direction. Your lungs swell, you feel the massive ache in your jaw even before you hear the snap upon bone. What is blue becomes red, then black. You are neither fish nor human now. There is no name, no memory, for the undersea monster you’ve become. You power through subterranean coves, your body sleek, aerodynamic. Swimming. Finning. The water closing over you is icy, instantly numbing. Your sleek tail torque, you rappel down to seabed level.

When you finally surface, you are delirious.

You tell this man it’s the most amazing trip of your life. The two of you are sitting eating lunch at a seafood place with all the other divers, and that’s when you learn two things: the school of fish is barracuda, and the man who had held your hand is no instructor but the man you are dating for insurance. You burst out laughing and you simply can’t stop. Everyone around you first smiles indulgently, including the man you are dating, and then their smiles become more hesitant, and the way their smiles start to fade made your epiglottis seize up and you almost choke on your mouthful of tilapia.

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Elaine Chiew is the editor/compiler of Cooked Up: Food Fiction From Around the World (New Internationalist, 2015). She has won prizes for her short fiction and also been shortlisted in numerous other U.S. and U.K. competitions. She is currently based in Singapore and has just completed an M.A. in Asian Art History at Lasalle College of the Arts.